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I think that the difficulty about a woman's being an artist is not only that "the occupation runs counter to the usual expectations concerning women," but that
it is . . .contrary to the nature itself of woman . . . . As you say, "selfishness" is not
. . . descriptive in this connection . . . . One meets with unexpressible paradoxes,
in the search for a word. [7/1894]
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Exhibition

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Images, Media and Dimensions of Works in
the Exhibition Anna Richards Brewster, American Impressionist


Checklist, Page One
[click on photo to see larger version]

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DEVOUT READING, CLOVELLY
c. 1895-96
Oil On Canvas, 12" x 8"
Private Collection
VENICE, ITALY
c. 1933
Oil On Canvas, 8" x 6"
William Rathbun Collection
A CUP OF TEA IN HOLLAND
c. 1902
Oil On Canvas, 22" x 13"
Massillon Museum Collection


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ARAB MARKETPLACE
1926
Watercolor, 17" x 22"
Marti and John Santiago Collection
QUEEN ANN'S GATE,
ST. JAMES'S PARK
N.D.
Oil on Canvas, 6 1/2" x 6"
The Lyman Allyn Museum, New London, Connecticut

TRAFALGAR SQUARE, LONDON
c. 1900
Oil On Canvas, 24" x 18"
Elizabeth Nader Collection


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GOSSIP IN GUERNSEY
1896
Watercolor on Paper, 19" x 12 1/2"
Susan McClatchy Collection
MOULIN HUET, GUERNSEY
1896
Watercolor on Paper, 19 1/4" x 22 1/4"
Georgia Museum of Art,
University of Georgia
RED LION GATEWAY AT SANTA MARGHERITA
1933
Oil on Canvas, 31" x 24"
Private Collection


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THE VIA DOLOROSA, JERUSALEM
c. 1933
Oil on Canvas, 16" x 13"
Benjamin and Theresa Wood Collection
A MARKET IN BISKRA, ALGERIA
1926
Oil On Canvas, 25" x 32"
Private Collection

OLD FASHIONED POSY
1939
Oil On Canvas, 30" x 20"
Butler Institute of American Art, Youngstown, Ohio


Checklist, Page Two
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Anna Richards Brewster, American Impressionist
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