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I think that the difficulty about a woman's being an artist is not only that "the occupation runs counter to the usual expectations concerning women," but that
it is . . . contrary to the nature itself of woman . . . . As you say, "selfishness" is not
. . . descriptive in this connection . . . . One meets with unexpressible paradoxes,
in the search for a word. [7/1894]
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Exhibition

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Images, Media and Dimensions of Works in
the Exhibition Anna Richards Brewster, American Impressionist


Checklist, Page Two
[click on photo to see larger version]

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THE BIG BEN OF WESTMINSTER
1900
Oil on Canvas, 24" x 18"
Bryan R.D. Hemming Collection
IN THE LUXEMBOURG GARDENS,
PARIS, FRANCE
1926
Oil on Canvas, 24" x 30"
Susan McClatchy Collection

THE WINDOW FROM MY STUDIO, (CHEYNE GARDENS, LONDON)
1900-1905
Oil on Canvas, 8" x 7"
Lyman Allyn Museum, New London, Conneticut


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THE THAMES AT WESTMINSTER
N.D.
Oil On Canvas, 9" x 13"
Private Collection
A LONE COTTAGE IN CORNWALL
1893
Oil On Canvas, 13" x 16"
Collection of Cederwall Fine Art


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SCARSDALE SCENE OR HORSE &
BUGGY DAYS
1912-1915
Oil on Canvas, 25" x 35"
Scarsdale Public Library
THE TUILERIES, PARIS
1926
Oil on Canvas, 30" x 20"
Private Collection
ADA BREWSTER
1908
Oil On Canvas, 20" x 16"
Carolyn and Bradford Brooks Collection


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STILL LIFE
Before 1905
Watercolor on Board,
6 1/2" x 4"
Susan McClatchy Collection
SMALL ROSES #1
1904
Gouache on Canvas,
18" x 7 1/2"
Susan McClatchy Collection

SMALL ROSES #2
1904
Gouache on Canvas,
18" x 7 1/2"
Susan McClatchy Collection


Checklist, Page Three
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Anna Richards Brewster, American Impressionist
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